Usage of D Dorian mode/scale starting from root at 10th fret E string over a Dm7 chord. Do familiarise the arpeggio of G7 first and the difference of how the b9 (b2) is incorporated. The dominant 7b9 arpeggio can be viewed upon as b2 or just note note from root, its add tension over a dominant chord. #guitar #guitarist #musician #lick #lickoftheday #jazz #improv #music @gibsonguitar nomnomgrubb | Guitar Emerge

Cmin II V I Phrase *with the Altered Scale* 🧠 Progression: Dm7(b5) | G7alt | Cm6 Today we are using the G altered Scale: G Ab A# B C# D# F R m2 A2 M3 A4orD5 A5orm6 m7 *A=augmented ; D=Diminish This is a very unique scale with its origins in the C Melodic minor (but that’s a later talk). Notice how in the phrase, we can actually start to apply the scale from half way in the Dm7(b5) chord. It is a very unique scale to create more “out” sounds within a progression. In a specific Minor II V I progr

Play this scale over Dm7(b5) chords. ✅ Need help with chord theory? Download Our Free PDF "7 Steps To Naming Any Chord," Click Here: https://pianolessonwithwarren.com/7-steps-to-naming-any-chord/?utm_campaign=meetedgar&utm_medium=social&utm_source=meetedgar.com | Piano lesson With Warren